這次奧斯卡頒獎典禮，有超過 400 位的視覺特效從業人員，在外頭示威抗議。他們這樣作，是為了讓大家意識到才剛得獎的 R&H 公司，宣告破產後，浮上檯面的種種產業問題。
(原文作者) PixelMagic 說:
就算一部電影在全球賣座幾億美金，替它製作特效的特效公司還是很難從中賺到錢。特效公司一年能賺到 5% 的利潤，算是好的。大部份時間，都處於打平或虧損的狀態。這個情形，對在特效公司上班的人很不利。會有這種問題，電影公司、特效公司，雙方都要負責。
1. 最顯著的原因是: 別的國家有提供稅金上的補貼，讓我們 (美國) 無法跟其它國家公平競爭。如果一間加州 (美國) 的特效公司用某某價錢標下一個案子，一間溫哥華 (加拿大) 的特效公司也可以用一樣的價錢競標，還送 30-35% 的稅金減免。這個錢，特效公司還拿不到，是電影公司拿。電影公司都那麼有錢了，它 30% 的特效費，納稅人還會自動幫它付。加州的特效公司對這種情形完全沒輒，公平競爭跟本是妄想。
5. 特效公司的員工都必須瘋狂加班。一天10-12 個小時很正常。尖峰時刻，16 個小時。在公司過夜，見怪不怪。這種不人道的工作時數，可以持續 3-6 個月，甚至一週 7 天。更誇張的是，很多特效公司不會付加班費。但，這也是因為電影公司也不願付加班費，就算完工期限被壓縮了，還是不付。
8. 特效公司也怕電影公司，因為，電影公司 (客戶) 就那幾家，派拉蒙、環球、福斯、索尼、華納。要是特效公司敢反抗，馬上就變黑名單，準備關門大吉了。同理可證，特效公司員工要是敢抱怨，也會變黑名單，不會再被聘用。
More than 400 VFX artists protest at the Oscars, to highlight the growing problems in the VFX industry after Oscar winning studio, Rhythm & Hues (Life of Pi) recently had to file for bankruptcy
Since some people here don’t fully understand the situation, I will try to provide some insight.
VFX studios are having a very difficult time making profit on movies they work on, even if that movies goes on to make millions or over a billion dollars. VFX studios make 5% profit on a GOOD year, but most of the time breaking even or even losing money on a job. This in turn has a very negative effect on vfx workers working at those companies. The entire fault does not lie with movie studios or vfx studios, but both contribute to the bad state of affairs in different ways.
1. The most noticable, is that other countries offer tax subsides that do not allow even competition. If a VFX studio in California bids on work for a set price, then a VFX studio in Vancouver can bid that very same price AND offer a 30-35% (not sure of exact figures) tax rebate on that work, but the VFX studio doesn’t get that money, the movie studio does. So they (the movie studio) automatically get 30% of their VFX paid for by tax payers instead of out of their already wealthy pockets. The California VFX studio therefore cannot compete with this situation, so fair competition is impossible.
2. Low rung jobs such as roto/paint fixes are being outsourced to China and India by movie studios because they can get the work done far cheaper there.
3. Movie studios put vast pressure on VFX houses to lower costs AND do more work at those costs. They also put huge pressure on VFX studios to open offices in subsidized locales so they (the movie studio) can take advantage of tax breaks. Most VFX studios who refuse or can’t afford to offer a subsidized location don’t get the work and go out of business. However, movie studios expect the VFX studio to take care of all the costs of moving to the new country themselves. And still have the nerve to ask for cheaper labor.
4. In addition to movie studios asking for more and cheaper work, they want it done in less time. VFX on a movie used to be 1 year long, and now they are trying to take the process down to 6 months or less. Because of this…
5. VFX studios often have their staff put in TONS of overtime. 10-12 hour days are a norm, and during crunch time 16 hour days, heck, spending the night at the studio, is not unheard of and in fact common. These horrendous hours can last 3-6 months, 7 days a week. On top of this, several VFX companies are not paying for that overtime, because movie studios refuse to pay for the extra hours (remember they are putting on the pressure for cheaper), even though they have insane deadlines for VFX delivery.
6. Every other movie trade except VFX has a union to prevent such gross injustices. VFX artists don’t have a stable 9-5 full time job. They are just temp contract workers, jumping company to company, project to project. As such, they do not have portable benefits, as other unionized trades in filmmaking do.
7. Artists are too afraid to speak up against these injustices because they’ll just kick you out the door for causing too much trouble, because there are 100 dumb young kids who would jump at the chance to work on a Hollywood movie for peanuts. Without a union, they don’t have much leverage.
8. VFX studios are too chicken to take a stand against the movie studios, because really, they only have about 5-6 clients such as Paramount, Universal, 20th Century Fox, Sony, etc. If a VFX studio stood up to one of these companies about their unfair practices, they’d get black listed as trouble makers and never asked to work again, thus driving them out of business. Likewise, if a VFX worker complains to a supervisor about unfair hours and no overtime pay, he is similarly black listed to not be hired again on the next project.
This is just a handful of problems, but I feel the major ones. VFX artists in Hollywood are treated like shit. VFX artists have a huge passion and love of their skill and trade, and because of it are taken advantage of. It’s time for them to stand up and just be treated like decent hard working human beings.